Join us for a panel discussion exploring the history of digital art history, its methods, and current trends. It begins with an overview of Digital Art History, followed by a paper illuminating project management practices and then a case study of how an object-oriented art historian pivoted her research during the pandemic to include digital methodologies. Lastly, an introduction to ARLIS/NA's Digital Art History Directory.
Visibility and Invisibility in (Digital) Art History: A Critical OverviewPaul B. Jaskot, Department Chair, and Professor of Art, Art History & Visual Studies, Duke University
Making Digital Art History Happen: Resources and MethodsHannah Jacobs, Digital Humanities Specialist, Duke University Digital Art History & Visual Culture Research Lab
Digging into the Data: Employing Digital Tools as an Object-based Art HistorianLauryn Smith, Digital Art History Fellow, The Frick Art Reference Library, and Ph.D. Candidate in Art History at Case Western University.
An Introduction to ARLIS/NA’s Digital Art History DirectorySamantha Deutch, Digital Art History Lead, The Frick Art Reference Library
Michelle Wilson, Digital Publishing Librarian, Butler Library, Columbia University
Sponsored by Columbia UniversitySponsored by Frick Art Reference Library